Who Plays in the 400 Unit
The core of the 400 Unit is Jason Isbell on vocals and guitar. Alongside him, the lineup has included notable musicians who contribute on keys, pedal steel, bass, and drums. While the roster has shifted over time, the group remains centered on tight, song-first arrangements. Below is a snapshot of recording and touring members across different eras, capturing the ensemble’s evolving identity.
| Name | Primary Instrument(s) | Role in the 400 Unit | Active Period |
|---|---|---|---|
| Jason Isbell | Vocals, guitar | Lead songwriter, frontman | 2007–present |
| Mike Mogis | Pedal steel, guitar, keys | Producer, multi-instrumentalist | 2009–present (select recordings/tours) |
| Dang Show | Bass | Bassist, backing vocals | 2009–2021 (recording/touring) |
| Brad Rice | Guitar, keyboards | Guitar, keys, backing vocals | 2012–present (select recordings/tours) |
| John Sherreick | Drums | Drummer | 2016–present (select recordings/tours) |
| Lester Nuby III | Pedal steel | Pedal steel, guitar | 2021–present (recording/tours) |
Jason Isbell as the Focal Point
Since the late 2000s, Isbell has carried vocals and guitar, writing and delivering tightly crafted songs. His evolution from Drive-By Truckers to solo work shaped the Unit’s sound from raw country-folk toward a more varied palette that blends rock, folk, and Americana. As both songwriter and producer on many records, Isbell defines the Unit’s artistic direction, while collaborators add instrumental colors that serve the song rather than dominate it.
The 400 Unit Name and Origins
The name “400 Unit” references the legendary Studio 400 at Muscle Shoals Sound Studio in Alabama, where the band recorded parts of their early work. The term captures a specific place and era in Southern recording history, while the group itself functions as Isbell’s primary touring and recording band, separate from his earlier work in the Drive-By Truckers. This distinct identity allows broader instrumental experimentation while remaining rooted in earthy, narrative songwriting.
Lineup Milestones and Recording Members
2007–2009: Early Formation
Initial touring for Southeastern and Live from Welcome to 19A featured a lean group centered on Isbell, with frequent collaborators on pedal steel and bass. These early shows emphasized stripped-down arrangements and close vocal harmonies, establishing the template for future recordings.
2009–2015: Expansion with Mogis and Dang Show
The addition of producer Mike Mogis and bassist Dang Show brought deeper studio textures and tighter rhythm sections. This period, spanning Southeastern, Joe Lyndon and The Oncoming Train, and Something More Than Free, solidified the 400 Unit’s reputation for dynamic live performances and detailed recordings.
2016–2021: Drums and Refinement
With John Sherreick anchoring the rhythm section and Brad Rice contributing keys and guitar, the group reached a refined peak. The sound on The Nashville Sound and The Cool Somewhere showcased disciplined arrangements, nuanced pedal steel, and a cohesive band identity during extensive touring.
2021–Present: Recent Adjustments
As Dang Show transitioned to a principal pedal steel role and Lester Nuby III joined for live pedal steel and guitar, the Unit adapted while preserving its core strengths. Current performances emphasize interplay between guitar, keys, and steel, with steady rhythm support from Sherreick and bass duties handled by touring players.
How the 400 Unit Supports Isbell’s Songwriting
Members are chosen for their ability to serve the song. Pedal steel and keys provide atmosphere without overshadowing lyrics, while rhythm players maintain space for vocal nuance. This collaborative approach allows subtle arrangements to swell only when the material demands it, resulting in recordings and shows that feel intimate even at larger volumes.
Live Performance Dynamics
Stage Setup and Roles
- Jason Isbell: Vocals, acoustic and electric guitar, central stage presence.
- Mike Mogis: Pedal steel, guitar, keyboards, often positioned center-left for visibility.
- Bassist (touring): Provides foundational rhythm, varies by tour date and recording needs.
- Brad Rice: Keys, additional guitar, harmony vocals, flexible mid-stage role.
- John Sherreick: Drums, right-side percussion setup, anchors tempo.
- Lester Nuby III: Pedal steel and guitar, frequently flanks Mogis to emphasize steel textures.
Recording Contributions and Production Roles
Beyond performance, key members contribute to production. Mogis’ engineering and arranging influence the group’s textural choices, while Rice and Nuby add layers that complement Isbell’s vocals. Sherreick’s drum patterns shape the pacing of tracks, from gentle ballads to mid-tempo anthems. This distributed creative input keeps the 400 Unit’s sound fresh while maintaining a consistent narrative focus across albums.
Evolution and Continuity
Across albums, the Unit has balanced consistency with adaptation. Core members like Isbell and Mogis provide continuity, while rotating bassists and guest players introduce subtle shifts in tone. Lineup changes are rarely announced formally; instead, they’re reflected in the recording palette: steel choices, keyboard colors, and rhythmic nuances that vary track by track. For audiences, the result is a band that feels both familiar and capable of new directions.
Summary of Key Members and Roles
| Name | Instrument(s) | Primary Role in the 400 Unit | First Appearance |
|---|---|---|---|
| Jason Isbell | Vocals, guitar | Lead songwriter, frontman | 2007 |
| Mike Mogis | Pedal steel, guitar, keys | Producer, multi-instrumentalist, steel/guitar | 2009 |
| Dang Show | Bass | Bassist, backing vocals | 2009 |
| Brad Rice | Guitar, keyboards | Guitar, keys, harmony | 2012 |
| John Sherreick | Drums | Drummer | 2016 |
| Lester Nuby III | Pedal steel | Pedal steel, guitar | 2021 |
The 400 Unit functions as Jason Isbell’s principal ensemble, shaping his recordings and live shows with disciplined musicianship and a shared commitment to songcraft. From pedal steel textures to steady drums and subtle keys, each member plays a role in realizing the emotional clarity that defines Isbell’s work.